Theoretical, possible scores for 2 or 3 musicians. An experiment in relativity and distinction between playable and nonplayable visualizations, i.e., music that could (not) be made, according to me.

I drew these quickly and impulsively, one after another, by channeling various musical inclinations. Some were emotionally transposed into a swift, physical gestures with the pen; others were more paced or deliberate. The drawing gestures were not related to the musical potential of the resulting score.